Browsing by Author "Velcheva E."

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    Characterization of art materials and degradation processes in the exterior wall paintings of the main church of Rila Monastery, Bulgaria
    (2023-09-01) Stamboliyska B.; Tapanov S.; Kovacheva D.; Atanasova-Vladimirova S.; Ranguelov B.; Yancheva D.; Velcheva E.; Stoyanov S.; Guncheva M.; Fischer D.; Lederer A.
    The present study focused on the characterization of the art materials and the degradation processes in the exterior (exonarthex) mural paintings of the main church of the Nativity of the Virgin in Rila monastery, Bulgaria, which is believed to be the last large-scale example of Eastern Orthodox wall painting. For the first time the art materials used to create a unique and colourful polychrome decoration of the outer gallery and the possible degradation products, caused by atmospheric influence - permanent exposure to open air and moisture - were revealed by a multi-technique approach. The mineral pigments were identified by means of attenuated total reflectance Fourier transform infrared (ATR-FTIR), micro-Raman spectroscopy, scanning electron microscopy energy dispersive X-ray spectroscopy (SEM-EDS) and X-ray diffraction (XRD). The natural yellow, red ochre, and green earth pigments, as well as some synthetic ones such as ultramarine and vermillion, were found in stable condition. Minium and emerald green pigments showed chemical transformations due to adverse environmental conditions which lead to chromatic changes of wall paintings. Black discolouration occurred due to the conversion of orange minium to black plattnerite (PbO2) and white discolouration – due to its transformation to white lead carbon oxide (PbCO3). The copper acetoarsenite (Cu(CH3COO)2.3Cu(AsO2)2) in the emerald green pigment showed partial transformation to arsen-containing mineral phases clinoclase and lindackerite, which fortunately did not affect much the colour appearance. Gypsum and calcium oxalate were found in the majority of the microsamples as decay products. Analysis of the binders by enzyme-linked immunosorbent assay (ELISA) implied the use of the Orthodox Church post-Byzantine egg-tempera technique. The registered Ca metal oxalates in accordance with ELISA results suggested binder chemical degradation induced by external factors. Most of the used painting materials are close to the those found in other Eastern Orthodox Byzantine and post-Byzantine monuments which indicates that the wall painting decoration of the main church of Rila monastery continues the post-Byzantine traditions. On the other hand, the study showed that the exonarthex wall paintings of the main charge of Rila monastery bear some new features as the religious artists supplemented the colourful scheme by emerald green as a new pigment and replaced smalt by the brighter synthetic ultramarine.
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    Characterization of Zahari Zograph’s nave wall paintings in the church “The nativity of the virgin” of Rila Monastery (Bulgaria) by vibrational spectroscopy and SEM–EDX analysis
    (2017-12-15) Yancheva D.; Tapanov S.; Velcheva E.; Stamboliyska B.; Glavcheva Z.; Stoyanov S.; Haralampiev N.; Fischer D.; Lederer A.
    An analytical study on the nave mural paintings of the church “The Nativity of the Virgin” of Rila monastery, Bulgaria, painted by Zahari Zograph was carried out. Vibrational spectroscopy was applied to identify the pigments and organic materials used in the mural paintings. To complement the spectral information, elemental composition of the samples was determined by SEM-EDX. The data showed that smalt with carbohydrate binder was applied for the blue background, green colour was executed by green earths and red-orange colour–by red lead. Azurite is the pigment used to paint the blue colour of the saints’ hoods. The mordant for gilding was prepared of drying oil, resin and siccative metal oxides as evidenced by SEM-EDX, ATR-FTIR and pyrolysis GC-MS analysis. The use of azurite is related to Zahari Zograph’s works as it was not found in any of the previously studied murals in the church painted by other artists.
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    THE WALL PAINTINGS IN THE RUSSIAN CHURCH ST. NICHOLAS IN SOFIA: A TECHNOLOGICAL STUDY BY INTEGRATED ANALYTICAL APPROACH
    (2023-01-01) Stamboliyska B.; Belishki S.; Haralampiev N.; Yancheva D.; Velcheva E.; Penkova P.; Lederer A.; Fischer D.
    For the first time, wall paintings of 20th century Russian artists in Bulgaria were analysed by means of complementary analytical methods. Representative samples collected from the Russian church St. Nicholas in Sofia, decorated by the famous Russian artists Vasily Perminov, Michail Maletski and Nikolay Shelehov during different periods of time, were examined by means of micro-Raman spectroscopy, attenuated total reflectance-Fourier transform infrared (ATR-FTIR) spectroscopy and X-Ray fluorescence (XRF). The results of the study reveal that colourful palette was achieved by using various pigment mixtures of traditional and modern synthetic pigment as titanium white, barium white, calcite, chrome green, green earth, hematite, ultramarine, madder lake, carbon black, vermilion, Naples yellow. The analysis of the paint binders allow to conclude that Maletski and Shelehov have used egg tempera as painting technique, while Perminov has worked in two painting techniques - oil and egg tempera.