Characterization of art materials and degradation processes in the exterior wall paintings of the main church of Rila Monastery, Bulgaria

Simple item page
creativework.keywordsELISA, Murals, Rila monastery, SEM-EDS, Vibrational spectroscopy, XRD
creativework.publisherElsevier B.V.en
dc.contributor.authorStamboliyska B.
dc.contributor.authorTapanov S.
dc.contributor.authorKovacheva D.
dc.contributor.authorAtanasova-Vladimirova S.
dc.contributor.authorRanguelov B.
dc.contributor.authorYancheva D.
dc.contributor.authorVelcheva E.
dc.contributor.authorStoyanov S.
dc.contributor.authorGuncheva M.
dc.contributor.authorFischer D.
dc.contributor.authorLederer A.
dc.date.accessioned2024-07-10T14:27:06Z
dc.date.accessioned2024-07-10T14:51:02Z
dc.date.available2024-07-10T14:27:06Z
dc.date.available2024-07-10T14:51:02Z
dc.date.issued2023-09-01
dc.description.abstractThe present study focused on the characterization of the art materials and the degradation processes in the exterior (exonarthex) mural paintings of the main church of the Nativity of the Virgin in Rila monastery, Bulgaria, which is believed to be the last large-scale example of Eastern Orthodox wall painting. For the first time the art materials used to create a unique and colourful polychrome decoration of the outer gallery and the possible degradation products, caused by atmospheric influence - permanent exposure to open air and moisture - were revealed by a multi-technique approach. The mineral pigments were identified by means of attenuated total reflectance Fourier transform infrared (ATR-FTIR), micro-Raman spectroscopy, scanning electron microscopy energy dispersive X-ray spectroscopy (SEM-EDS) and X-ray diffraction (XRD). The natural yellow, red ochre, and green earth pigments, as well as some synthetic ones such as ultramarine and vermillion, were found in stable condition. Minium and emerald green pigments showed chemical transformations due to adverse environmental conditions which lead to chromatic changes of wall paintings. Black discolouration occurred due to the conversion of orange minium to black plattnerite (PbO2) and white discolouration – due to its transformation to white lead carbon oxide (PbCO3). The copper acetoarsenite (Cu(CH3COO)2.3Cu(AsO2)2) in the emerald green pigment showed partial transformation to arsen-containing mineral phases clinoclase and lindackerite, which fortunately did not affect much the colour appearance. Gypsum and calcium oxalate were found in the majority of the microsamples as decay products. Analysis of the binders by enzyme-linked immunosorbent assay (ELISA) implied the use of the Orthodox Church post-Byzantine egg-tempera technique. The registered Ca metal oxalates in accordance with ELISA results suggested binder chemical degradation induced by external factors. Most of the used painting materials are close to the those found in other Eastern Orthodox Byzantine and post-Byzantine monuments which indicates that the wall painting decoration of the main church of Rila monastery continues the post-Byzantine traditions. On the other hand, the study showed that the exonarthex wall paintings of the main charge of Rila monastery bear some new features as the religious artists supplemented the colourful scheme by emerald green as a new pigment and replaced smalt by the brighter synthetic ultramarine.
dc.identifier.doi10.1016/j.vibspec.2023.103580
dc.identifier.issn0924-2031
dc.identifier.scopusSCOPUS_ID:85168560473en
dc.identifier.urihttps://rlib.uctm.edu/handle/123456789/856
dc.language.isoen
dc.source.urihttps://www.scopus.com/inward/record.uri?partnerID=HzOxMe3b&scp=85168560473&origin=inward
dc.titleCharacterization of art materials and degradation processes in the exterior wall paintings of the main church of Rila Monastery, Bulgaria
dc.typeArticle
oaire.citation.volume128
Files
Collections
Articles