THE WALL PAINTINGS IN THE RUSSIAN CHURCH ST. NICHOLAS IN SOFIA: A TECHNOLOGICAL STUDY BY INTEGRATED ANALYTICAL APPROACH

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creativework.keywordsbinder IR, pigments, Raman, Russian church, XRF
creativework.publisherAcademic Publishing Houseen
dc.contributor.authorStamboliyska B.
dc.contributor.authorBelishki S.
dc.contributor.authorHaralampiev N.
dc.contributor.authorYancheva D.
dc.contributor.authorVelcheva E.
dc.contributor.authorPenkova P.
dc.contributor.authorLederer A.
dc.contributor.authorFischer D.
dc.date.accessioned2024-07-10T14:27:05Z
dc.date.accessioned2024-07-10T14:50:38Z
dc.date.available2024-07-10T14:27:05Z
dc.date.available2024-07-10T14:50:38Z
dc.date.issued2023-01-01
dc.description.abstractFor the first time, wall paintings of 20th century Russian artists in Bulgaria were analysed by means of complementary analytical methods. Representative samples collected from the Russian church St. Nicholas in Sofia, decorated by the famous Russian artists Vasily Perminov, Michail Maletski and Nikolay Shelehov during different periods of time, were examined by means of micro-Raman spectroscopy, attenuated total reflectance-Fourier transform infrared (ATR-FTIR) spectroscopy and X-Ray fluorescence (XRF). The results of the study reveal that colourful palette was achieved by using various pigment mixtures of traditional and modern synthetic pigment as titanium white, barium white, calcite, chrome green, green earth, hematite, ultramarine, madder lake, carbon black, vermilion, Naples yellow. The analysis of the paint binders allow to conclude that Maletski and Shelehov have used egg tempera as painting technique, while Perminov has worked in two painting techniques - oil and egg tempera.
dc.identifier.doi10.7546/CRABS.2023.03.06
dc.identifier.issn1310-1331
dc.identifier.scopusSCOPUS_ID:85153877054en
dc.identifier.urihttps://rlib.uctm.edu/handle/123456789/824
dc.language.isoen
dc.source.urihttps://www.scopus.com/inward/record.uri?partnerID=HzOxMe3b&scp=85153877054&origin=inward
dc.titleTHE WALL PAINTINGS IN THE RUSSIAN CHURCH ST. NICHOLAS IN SOFIA: A TECHNOLOGICAL STUDY BY INTEGRATED ANALYTICAL APPROACH
dc.typeArticle
oaire.citation.issue3
oaire.citation.volume76
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